forum.connpost.com
August 2008
Sun Mon Tue Wed Thu Fri Sat
          1 2
3 4 5 6 7 8 9
10 11 12 13 14 15 16
17 18 19 20 21 22 23
24 25 26 27 28 29 30
31            
minibook.gif
For anyone who adores the art of creating small things, The Art of the Miniature provides a treasure trove of practical techniques and ingenious approaches. In this captivating guide, noted artist Jane Freeman shows readers, step by step, how to use modified kit components, and found and handmade objects to create intensely detailed miniature constructions. Visit Jane's website

ARCHIVES

  • August 2008
  • July 2008
  • June 2008
  • May 2008
  • April 2008
  • March 2008
  • February 2008
  • January 2008
  • December 2007
  • November 2007
  • October 2007
  • September 2007
  • August 2007
  • July 2007
  • June 2007
  • May 2007
  • April 2007
  • March 2007
  • February 2007
  • January 2007
  • December 2006
  • November 2006
  • October 2006
  • September 2006
  • July 2006
  • June 2006
  • May 2006
  • April 2006
  • March 2006
  • February 2006
  • January 2006
  • December 2005
  • November 2005
  • October 2005
  • September 2005

  • RECENT ENTRIES

  • 08-08-08
  • A Pasture For Gazelles
  • Flowerbox
  • Freedom to Fear, or Not
  • HAPPY BIRTHDAY HERMAN MELVILLE
  • OVERHEARD and GLIMPSED in PASSING
  • Rain Dance
  • Slipping Glimpsers, Loafers & Dingledodies
  • Through Binoculars
  • Vin-Yet
  •  
    Blog-a-logue

    « Trains, Ships, Splints, Knives, Whalesongs, and the Pope | Main | Quotes from the Streets »

    May 8, 2008

    Staten Island Redux

    WhitehallTerm.jpg
    Before 9/11, I often went to Staten Island for the ferry ride, and to drink in Manhattan from an aqueous remove. The ride was always a thrill, no matter how many times I took it, no matter the weather. As Melville says, “Yes, as every one knows, meditation and water are wedded for ever.” Every ride was exactly that, a meditation.
    ~
    The ferry would dock with a grinding bump. As it scraped the spiles (each uniquely ringed in bronzy-green, Miss Liberty's hue), the ferry screamed like seagulls, bellowed like bulls, and added scars to its berth. Shaking off the thick crowd at the gangplank, I’d walk up to Richmond Terrace, turn right, and head for a comfortably lowlife donut shop, after which, replete with caffeine and sugar, I’d start my wandering. I loved looking at the houses which were decomposing but inhabited, and I’d venture through the hilly streets above, to see those houses too. On the highest elevation I could find, I’d stare at the World Trade Center, stage center from that vantage, rising above the clutter of lowly edifices like a pair of giraffes among a bovine herd. The towers glinted and winked, answering Miss Liberty's salute. They seemed to be giving the peace sign.
    ~
    After the terrorist attacks, I stopped going. Now, seven years later, I’ve broken my ferry fast by going to see some artists’ studios at Bay Street Landing. Leaving the ferry, I had always turned right, onto Richmond Terrace. I’d never thought to turn left (intrepid traveler that I am), onto Bay Street. On a map it looks like the same road with two names. So onto Bay Street I turned this time, a new route of exploration.
    ~

    At the edge of the East River, near the Verrazano Bridge, is a former coffee warehouse, now condos and artist studios. The lofts I got to see were as different one from another as the art in them. Some spaces were places, fixed up and fancy; but I liked best the ones left somewhat raw. My favorite was cavernous, with such tall ceilings—15 feet perhaps—that two small rooms had been built near the ceiling, treehouse-like; and below them was a permanently dark sleeping cave with a narrow, tossed bed. I liked the contrast between the undomesticated height of the large painting space, and the three or four burrow-low chambers tucked within--a propitious combine of warehouse and dollhouse, which I call cottage-industry. (A few days later, I read a quote by an architect in The Most Beautiful House in the World: “A building in which ceiling heights are all the same is virtually incapable of making people comfortable.”)
    ~
    In seven years there have been many changes to the ferry terminals on both the Manhattan and the Staten Island sides. A fire destroyed the Whitehall terminal, on the Manhattan side, which was rebuilt as a sterile, hi-tech, even colder facility. Fewer vagrants camp out there, fewer proprietary pigeons swoop grandly from the rafters. The St. George terminal, on the Staten Island side, was improved just last February with the inclusion of two ten-ton, eight-foot-tall salt-water fish tanks, in which 400 exotic fish in unimaginable colors swim, spaciously. The silvery squares of the tanks reminded me of the dead towers.
    ~
    Still, I was unprepared for the sad shock of seeing, for the first time from that angle, the City without them. Was this why I’d stayed away so long–to postpone the inevitable shock? I'd moved into the neighborhood three years after the World Trade Center opened. Before I knew I'd be moving downtown, and without knowing that Philippe Petit would be my downstairs neighbor, I’d saved the Times article about his famous tightrope walk. The Towers were New York, which was, perhaps, their doom. People joked about them with affection, e.g., “There’s the Empire State Building and the Chrysler Building. And there are the boxes they came in.”
    ~
    On the ferry back, gazing at the spot, I thought: Before them, there was nothing there to miss. I’m guessing that anyone who knew the Towers, whether up close or from afar, always will miss them, even when the Freedom Tower takes their place.

    ferryPier.jpg


    Posted by Jane on May 8, 2008 7:57 PM

    Comments

    Post a comment




    Remember Me?


     

    Forum Weblogs
    Behind The Lines
    High School Sports
    Webologist
    Music Scene
    Joe's View
    Society Scene
    Soundin' Off
    Turned ON

    CONNPOST.COM

        ©2008 Connecticut Post Online. All rights reserved | Privacy Policy