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    Joe*s View
    Movie critic and feature writer, Joe Meyers, rambles and keeps us posted about theater, film, book and other cultural stuff that couldn't fit into his Connecticut Post columns.

    « 'Lowboy’: notes from underground | Main | New York in the bad old/good old days »

    May 28, 2009

    The mother of us all

    People in the theatre — and people who write about the theatre — have a tendency toward hysteria and hyperbole, but the performance Judith Ivey is giving in “The Glass Menagerie” at Long Wharf Theatre is quite amazing.
    I’ve seen so many bad productions of the Tennessee Williams play — most especially the godawful Broadway revival with Jessica Lange a few seasons ago — that the thought of another night out at this “memory” piece about mothers and children and family responsibility gave me the willies.
    But, Ivey is one of my favorite actresses and she has a way of grounding almost any play with humor and gritty realism, so I had a hunch she might blow the cobwebs off this warhorse.
    My hunch was well-founded. Under the direction of LWT artistic director Gordon Edelstein, Ivey makes “The Glass Menagerie” feel newly minted.
    Who knew there were so many laughs in the character of the faded Southern belle Amanda Wingfield?
    And that those laughs could be produced without sacrificing the Williams poetry and the poignance of Keira Kelley’s presentation of poor “crippled” Laura’s fixation on her glass animals?
    Who would have thought that a contemporary actress could find a universal essence of motherhood in such a specifically Southern play, written more than a half century ago?
    Ivey made me believe she had spent decades joking and arguing with her grown son Tom — the Williams stand-in played so well by Patch Darragh in this production — and that with a fierce combination of love and steamroller guilt she always gets her way (something the woman has expected ever since she was a beautiful, teasing girl juggling dozens of “gentleman callers” back home in Mississippi).
    Run, do not walk, to this legend-in-the-making presentation of “The Glass Menagerie,” which is only playing through June 7.
    Last night, there were lots of empty seats in the house — a scandal considering what transpired on the stage — but the combination of a rave in The New York Times on Tuesday and what is bound to be fantastic word of mouth should soon make this into one of the hottest tickets of the season.

    Posted by Joe on May 28, 2009 4:24 PM

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